Asking him why he’s here today, he pauses for a moment
to stare at the obviousness of my question
and directs my line of sight to the dialysis machine
with its spinning pumps.
He looks arboreal as if he were some weak
allegory for genealogy,
his face heavy and swollen.
He imagines that he can escape by closing
his eyes so the insides turn white,
deracinate himself for once.
Together we stare at the windmills as they are churning
the burden of their arms, rigid and brisk.
He sways in smooth pursuit of each blade forgetting
each moment as it arrives.
Between breaths, he emerges softly into
reality and just as suddenly submerges
into the diaphanous;
catching answers feels like catching clouds
and I imagine him to be a Billy Pilgrim of sorts.
One moment he is in Bellevue;
in another he lies naked with his Freiya
on the beaches of an alternate oblivion
where it is tropical; in another
he extends his weighty wings of flesh
and acrid feathers to fly idly over the Sonoran dunes.
The machine’s exhalations and his apneic wheezing
create a fugue of sighs and sorrows,
his consciousness rising and setting with each whirring cycle.
Tenuous.
My questions crawl over sands and
arch over landscapes only to find him missing.
He is kissing his Freiya.
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